Original Lithograph Signed Christian Jaccard Ca 1978 Abstract Art

Description: To be continued in my ebay storenumerous posters, or lithographs from the personal collection of an art printer[20th CENTURY ART - ABSTRACT ART - ORIGINAL LITHOGRAPH] Christian JACCARDBorn in 1939 Artist, painter and sculptor Christian Jaccard is a visual artist of Swiss and French nationality, born April 2, 1939 in Fontenay-sous-Bois. Artist of the combustion process, he is the author of the “supranodal concept”. Biographical elementsIn 1948, Christian Jaccard learned the Gabier's Manual and the practice of campfires. In 1954, as a schoolboy, he collected fossils: the unfailing traces of time attracted him.From 1956 to 1960, he studied at the Bourges School of Fine Arts; he is interested in industrial waste and fingerprint traces.From 1964 to 1975, he was a chromist engraver in a typographic printing company, which encouraged him to explore impregnation processes linked to the making of specific tools, knots & ligatures for example. Between 1968 and 1973, he studied the canvas/tool relationship and obliterated the Tied Canvases, folded canvases, calcined canvases.Jaccard very quickly disrupts the classical or traditional act of painting. Free from any frame, the canvas, placed on the ground, is printed using what he calls “tools”: natural objects (plants and insects), paper, ribbon. His work places him in concerns close to those of the Supports/Surfaces group (of which he was not a member). Nevertheless, exhibitions devoted to the group have sometimes associated Christian Jaccard.From 1971, Jaccard used “tools” such as rope, string, and especially knots. These replace the brush to leave their imprints on the canvas, when they are not erected into statuses (nodes). It also burns slow wick tools which, through their combustion, leave their traces on free canvases and other supports.From 1977 to 1983, the tool did the painting and the practice of combustions generated new sets: Anonymous calcined, Trophies, Burned canvases… This opened up a new path for him: he subjected anonymous canvases (from the 17th, 28th centuries) to destructive heat. , 19th and 20th centuries). The initial appearance – portraits, religious scenes – is transformed. He will reproduce this process with cinema advertising banners. The combustion attacks certain parts of the image to leave others more visible. She “redraws” and crystallizes the work.In 1984, during a stay in Italy, “the emitted red” was born. His Path of Ashes joins land-art, once again blurring the lines to escape any classification. In 1989, he developed “burnings”,then, during the 1990s, the “supranodal concept”.Jaccard resided in Japan in 1994, at Villa Kujoyama.In the 2000s, with his work outside in abandoned places (industrial wastelands), the problematic of the painting is emancipated without denying its origins. His workshop becomes a nomadic and ephemeral laboratory at each stopover. Jaccard's work is therefore organized around two axes (knots, and combustion) specifying his research on traces, imprints (whether due to stamping, combustion, folding, calcination or braiding). In both cases he uses a well-defined method; each of his gestures and actions is carried out with rigor, without carelessness, without casualness, conceptualized and controlled. Poster from the 1979 exhibition, in which the work was offered for sale below -Original print Very beautiful color lithographyAround 1976/1978 "Charred suites"[2]Without date, signature in pencil under the subject at the bottom right and justification of the print at the bottom left EA (Artist's Proof)Dedication by the artist in pencil at the bottom of the sheet under the subject“For Jacques” - Free leafletBeautiful thick Arches type paperSheet size approximately65 x 50 cm Original editionFirst Printing Beautiful abstract composition in colors(calcination) Very good general condition,very clean and fresh copy, very light paper. yellowed in the margins as alwaysVery minimal usual inevitable traces of handling, light various folds on edges, corners, etc. cf. Visuals... Superb and Rare! Old Litho Original This is not a reproduction... From 1977 to 1983, the tool did the painting and the practice of combustions generated new sets: Anonymous calcined, Trophies, Burned canvases… This opened up a new path for him: he subjected anonymous canvases (from the 17th, 28th centuries) to destructive heat. , 19th and 20th centuries). The initial appearance – portraits, religious scenes – is transformed. He will reproduce this process with cinema advertising banners. The combustion attacks certain parts of the image to leave others more visible. She “redraws” and crystallizes the work. Jaccard's work is therefore organized around two axes (knots, and combustion) specifying his research on traces, imprints (whether due to stamping, combustion, folding, calcination or braiding). In both cases he uses a well-defined method; each of his

Price: 147.82 USD

Location: Fontenay sous Bois

End Time: 2024-11-13T21:13:41.000Z

Shipping Cost: 44.79 USD