Neuschwanstein Castle Print

Description: Neuschwanstein Castle Print Neuschwanstein Castle (German: Schloss Neuschwanstein, pronounced; Southern Bavarian: Schloss Neischwanstoa) is a 19th-century historicist palace on a rugged hill of the foothills of the Alps in the very south of Germany, just north of Austria. It is located in the Swabia region of Bavaria, in the municipality of Schwangau, above the incorporated village of Hohenschwangau, which is also the location of Hohenschwangau Castle. The closest larger town is Füssen. The castle stands above the narrow gorge of the Pöllat stream, east of the Alpsee and Schwansee lakes, close to the mouth of the Lech into Forggensee. Despite the main residence of the Bavarian monarchs at the time—the Munich Residenz—being one of the most extensive palace complexes in the world, King Ludwig II of Bavaria felt the need to escape from the constraints he saw himself exposed to in Munich, and commissioned Neuschwanstein Palace on the remote northern edges of the Alps as a retreat but also in honor of composer Richard Wagner, whom he greatly admired. Ludwig chose to pay for the palace out of his personal fortune and by means of extensive borrowing rather than Bavarian public funds. Construction began in 1869 but was never completed. The castle was intended to serve as a private residence for the king, but he died in 1886, and it was opened to the public shortly after his death. Since then, more than 61 million people have visited Neuschwanstein Castle. More than 1.3 million people visit annually, with as many as 6,000 per day in the summer.LocationA northward view of Neuschwanstein Castle from Mount Säuling (2,047 m or 6,716 ft) on the border between Bavaria and Tyrol: Schwangau between large Forggensee reservoir (1952) and Hohenschwangau and Neuschwanstein palaces The municipality of Schwangau lies at an elevation of 800 m (2,620 ft) at the southwest border of the German state of Bavaria. Its surroundings are characterized by the transition between the Alpine foothills in the south (toward the nearby Austrian border) and a hilly landscape in the north that appears flat by comparison. In the Middle Ages, three castles overlooked the villages. One was called Schwanstein Castle. In 1832, Ludwig's father, King Maximilian II of Bavaria, bought its ruins to replace them with the comfortable neo-Gothic palace known as Hohenschwangau Castle. Finished in 1837, the palace became his family's summer residence, and his elder son Ludwig (born 1845) spent a large part of his childhood here. Vorderhohenschwangau Castle and Hinterhohenschwangau Castle sat on a rugged hill overlooking Schwanstein Castle, two nearby lakes (Alpsee and Schwansee), and the village. Separated by only a moat, they jointly consisted of a hall, a keep, and a fortified tower house. In the 19th century, only ruins remained of the twin medieval castles; those of Hinterhohenschwangau served as a lookout place known as Sylphenturm. The ruins above the family palace were known to the crown prince from his excursions. He first sketched one of them in his diary in 1859. When the young king came to power in 1864, the construction of a new palace in place of the two ruined castles became the first in his series of palace building projects. As he called the new palace New Hohenschwangau Castle, the confusing result was that Hohenschwangau and Schwanstein effectively swapped names: Hohenschwangau Castle replaced the ruins of Schwanstein Castle, and Neuschwanstein Castle replaced the ruins of the two Hohenschwangau Castles. Only after Ludwig's death was it renamed Neuschwanstein.HistoryInspiration and design Neuschwanstein embodies both the contemporaneous architectural fashion known as castle Romanticism (German: Burgenromantik) and King Ludwig II's enthusiasm for the operas of Richard Wagner. In the 19th century, many castles were constructed or reconstructed, often with significant changes, to make them more picturesque. Palace-building projects similar to Neuschwanstein had been undertaken earlier in several of the German states and included Hohenschwangau Castle, Lichtenstein Castle, Hohenzollern Castle, and numerous buildings on the Rhine, such as Stolzenfels Castle. The inspiration for the construction of Neuschwanstein came from two journeys that Ludwig took in 1867: one in May to the reconstructed Wartburg near Eisenach, and another in July to the Château de Pierrefonds, which Eugène Viollet-le-Duc was transforming from a ruined castle into a historicist palace.Neuschwanstein project drawing (Christian Jank 1869) Ludwig believed both buildings represented a Romanticist interpretation of the Middle Ages, as well as the musical mythology of his friend Wagner, whose operas Tannhäuser and Lohengrin had made a lasting impression on him. In February 1868, Ludwig's grandfather, King Ludwig I, died, freeing the considerable sums that were previously spent on the abdicated King's appanage. This allowed Ludwig II to start the architectural project of building a private refuge in the familiar landscape far from the capital Munich, so that he could live out his idea of the Middle Ages. In a letter to Richard Wagner in May 1868, Ludwig wrote: It is my intention to rebuild the old castle ruin of Hohenschwangau near the Pöllat Gorge in the authentic style of the old German knights' castles, and I must confess to you that I am looking forward very much to living there one day (in 3 years); ... you know the revered guest I would like to accommodate there; the location is one of the most beautiful to be found, holy and unapproachable, a worthy temple for the divine friend who has brought salvation and true blessing to the world. It will also remind you of "Tannhäuser" (Singers' Hall with a view of the castle in the background), "Lohengrin'" (castle courtyard, open corridor, path to the chapel); .... The building design was drafted by the stage designer Christian Jank and realized by the architect Eduard Riedel. For technical reasons, the ruined castles could not be integrated into the plan. Initial ideas for the palace drew stylistically on Nuremberg Castle and envisaged a simple building in place of the old Vorderhohenschwangau Castle, but they were rejected and replaced by increasingly extensive drafts, culminating in a bigger palace modelled on the Wartburg. The king insisted on a detailed plan and on personal approval of each and every draft. Ludwig's control went so far that the palace has been regarded as his own creation rather than that of the architects involved. Whereas contemporary architecture critics derided Neuschwanstein, one of the last big palaces building projects of the 19th century, as kitsch, Neuschwanstein and Ludwig II's other buildings are now counted among the major works of European historicism. PrintPrint your art on exhibition-ready paper and show or sell it to the world. This premium matte horizontal poster is made with museum-grade paper (175gsm fine art paper), and are the perfect means to bring any digital artwork into real life as stunning décor. Available in multiple sizes, each poster is printed with top-tier pigmented archival inks for excellent printing results. 175 gsm fine art paper with matte finish 38 sizes to choose from For indoor use Assembled in the USA from globally sourced parts NB! Due to the production process of these posters, please allow for slight size deviations with a tolerance +/- 1/16"

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End Time: 2025-01-18T21:04:54.000Z

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