Description: About Jim Nelson b. 1943 d. 2022"Crazy Horse is waiting at the place where the seven spotted eagles dance.." The vivid color he utilizes, the patterns and symbols he incorporates into a piece, and even the direction a subject faces has a spiritual significance deeply rooted in what the artist understands about the Lakota and Nez Perce Indian cultures. Admirers also know only a portion of the finished Nelson painting is visible. Unseen under up to 10 layers of acrylic are painted symbols such as a medicine wheel or bear paw print integral to the spirit of each visual image. Nelson’s passion and respect for the Native American culture is so deep, he is certain it is the spirit of what he paints that directs how he will render the image. “I paint the eyes first, and they impart what they want to see around them. The image flows out of my body into the brush and onto the canvas,” he says, acknowledging that the explanation may be difficult to comprehend. He talks intently about being “pulled into a piece” to such an extent that he cannot talk or eat. “Once I am ‘in there,’ I cannot get out until I am done,” he says. When he finishes, Nelson often lays down on the floor, having spent all his energy transferring the spirit of his painting onto the canvas. “I could talk about the symbolism and spirit and culture represented in one of my paintings for days,” he says. “Red represents the sun, blue represents Father Sky, green is Mother Earth, and yellow is the color of the cold stone, left after everything has been created.” Nelson explains that a star represents wisdom. Checkered patterns stand for past generations, while a smaller checkerboard pattern signifies generations to come. Antlers on the headdress of a Lakota represent the deer that died to feed the hunter’s family. They have been placed there so the spirit of the animal can continue to look over the land and roam free. “The spirit of my paintings cannot be contained,” Nelson says, explaining why his art flows off the edge of a canvas. Nelson’s path to becoming a prominent painter of Native Americans had an inauspicious beginning. Diagnosed in childhood with dyslexia, and unable to contain his writing within prescribed lines, he was given crayons and blank paper. The freedom to express himself led to Nelson’s love of painting, which is an entirely self-taught skill. He began to join his grandmother in South Dakota when she visited Indian reservations as a Christian Science missionary. There his fascination and respect for their culture was born. “I would just listen and talk to the elders, and attend as many ceremonies as I could,” he says. Nelson learned to speak Lakota fluently and developed a close circle of Native American friendships. Eventually he was adopted by a tribal elder and given a Native American name. After serving as a marine in Vietnam, Nelson worked in construction by day, but he always painted at night. He was unsure enough about his work that he hid paintings inside a closet until his daughter persuaded him to enter an art show where he won first prize. A juried show followed and a judge told Nelson that his was the only “real” art entered. Realizing he might be able to make a living at what he loved, he began to paint full time. For Nelson, seeing Native Americans identify with his work is a powerful reward. He tells the story of watching a man make a scooping motion toward his body, pulling the spirit of a painting toward him. For inspiration, Native American artist Amado Peña kept a Nelson painting on either side of his easel for years. Others have questioned how Nelson can represent the Native American culture as a blue-eyed white person. “Merle Locke, the renowned Native American ledger artist, once asked me ‘Why do you paint my people?’” Nelson says. “I talked to him in Lakota about my knowledge and respect for his culture. Later he returned with a gift of a buffalo robe. It was a wonderful compliment.” taken from June/July issue of Western Art & Architecture The color purple represents wisdom, shaman, elders and teachers. Overall measurements are 31.25" W x 25.75" T. Canvas measurements are 22" x 28". I purchased this art from Jim in 1994 and it has been in my personal collection ever since. Now it's time for someone new to enjoy this spectacular piece of art. Questions??? Please ask before purchasing to avoid any misunderstandings.I will drive up to 1 hour to meet you for local pick-up. I live in Thornton Co. near Denver.
Price: 1700 USD
Location: Brighton, Colorado
End Time: 2025-01-26T16:58:20.000Z
Shipping Cost: 0 USD
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Item Specifics
Return shipping will be paid by: Seller
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Return policy details:
Artist: Jim Nelson
Unit of Sale: Single-Piece Work
Signed By: Jim Nelson
Size: Medium (up to 36in.)
Custom Bundle: No
Date of Creation: 1990-1999
Region of Origin: US
Framing: Framed
Personalize: No
Size Type/Largest Dimension: Large (Greater than 30in.)
Listed By: Reseller
Framed/Unframed: Framed
Year of Production: 1994
Original/Licensed Reproduction: Original
Item Height: 25.75 in
Painting Surface: Canvas
Style: Realism
Features: Framed, Signed, One of a Kind (OOAK)
Handmade: Yes
Item Width: 31.25 in
Culture: Lakota
Time Period Produced: 1990-1999
Signed: Yes
Color: Multi-Color
Title: Crazy Horse Seven Eagles Medicine Series VI
Material: Acrylic
Subject: Native American Warrior Eagles Buffalo Headdress
Signed?: Signed
Type: Painting
COA Issued By: Does not apply
Theme: Native American Chief
Original/Reproduction: Original
Production Technique: Acrylic Painting
Country/Region of Manufacture: United States