Description: CREATIVE ART: March 1932 A Magazine of Fine and Applied Art Bernard Karfoil | Exhibition of Modern Architecture: Museum of Modern Art | H. Glintenkamp | The Hudson River School | Isamu Noguchi [!] at the Becker and Demotte Galleries, etc. Henry McBride [Editor]: CREATIVE ART [A Magazine of Fine and Applied Art]. New York: Albert and Charles Boni, Inc., Volume 10, Number 3: March 1932. Original edition. Printed wrappers. [82] pp. All color inserts present. Woodcut by H. Glintenkamp missing . Illustrated articles and period advertisments. Cover art by H. Glintenkamp. Wrappers soiled and worn, but a nearly very good copy. 8.25 x 11.5 vintage magazines with 82 pages of editorial content plus vintage advertisements. “Creative Art” meaning architecture, painting, drawing, furniture design, interior decoration and the decorative arts! Given the cast of characters -- 1932 stands as a fertile year for the twentieth century arts and for art deco in particular. Creative Art became an American Magazine in 1932—after a clean split from "The Studio" of London—able to puruse and promote a vision of domestic art in all of its many manifestations, from painting to photo-murals. Contents include: Color Plate: Seated Nude by Bernard Karfoil. The Palette Knife by Henry McBride. Bernard Karfoil: Holger Cahill. Ten pages and eight images. The Museum of Modern Western Painting In Moscow [Part 1]: John Becker. Eleven pages with art by Pissarro, Van Gogh, Gauguin, Degas, Cézanne, Monet, etc. Exhibition of Modern Architecture: Museum of Modern Art: Catherine K. Bauer. Six pages and eight photographs of work by Mendelsohn, Gropius, Clauss & Daub, Haesler, Frank Lloyd Wright, Mies van der Rohe, and J. J. P. Oud. Hitchcock and Johnson suggest that this experiment produced, by the early 1930s, a distinct style, as sound and deserving of respect as some of the most revered styles of the past, including classical, Gothic, renaissance, and baroque. Examples of this new style accompanied the original text in the form of blueprints and designs and are reproduced in this book. "The International Style" was written to record the International Exhibition of Modern Architecture held at the Museum of Modern Art in New York City in 1932, and it identified, categorized and expanded upon characteristics common to Modernism across the world and its stylistic aspects. Pen Portraits: H. Glintenkamp: Ida E. Prigohzy. Seven woodcuts. The Eddy Gift to Chicago: C. J. Bulliet. The Eiffel Tower: Jacques Mauny. Photo by Andre Kertesz. The Hudson River School: Edward Alden Jewell. Cole, Casilear, Johnson and all those other guys. Around the Galleries. Work by Winslow Homer, William Zorach, Emil Holzhauer, Alexander BRook, Stuart Davis, Isamu Noguchi [!] at the Becker and Demotte Galeries, Glenn O. Coleman, etc. In the Art Field. Work by George Pepper, Ben Benn, Sanford Ross, Jacob Getlar Smith, Marion Greenwood, Maud von Rosen, Dewey Albinson, Nina Wise, Henri Burkhard, Raphael Soyer, A. Birnbaum, Jean Hugo, etc. Departments include Calendar of Exhibitions, Current Events in the Art World, Review of Books and The Art Market Includes vintage advertisements Please visit my Ebay store for an excellent and ever-changing selection of rare and out-of-print design books and periodicals covering all aspects of 20th-century visual culture. I offer shipping discounts for multiple purchases. Please contact me for details. Payment due within 3 days of purchase.
Price: 49.99 USD
Location: Shreveport, Louisiana
End Time: 2024-10-10T23:36:32.000Z
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